Two new press features

Added on by Jacquelyn Gleisner.

Read about my current installations in Peterborough and Newburgh at the links below:

Summertime art walk in Depot Square and Depot Park in Peterborough

Canvas Magazine, September 2017

"Folds of the Cloak" will be on view at the Sharon Arts Center in downtown Peterborough, NH until September 17, 2017. 

"The Interaction of Colour" continues at the Ann Street Gallery in Newburgh, NY through October 14, 2017. 

ann st_001_instagram.jpg

Maureen Drennan's 'Highway to the Sun' series on the Art21 magazine

Added on by Jacquelyn Gleisner.
I would love for a person to look at one of my photos and be reminded of something else.
— Maureen Drennan

Art21 Magazine - "Inspired by a True Story"

Read my article about Maureen Drennan's series 'Highway to the Sun' on the Art21 magazine here. This series of photographs was inspired by the epic road trip of four friends—one of whom was Drennan's stepfather—departing from Hanover, New Hampshire, on a five-thousand-mile trip to Alaska.


Check out Drennan's photography at the group show 'Portals' at Transmitter Gallery in Brooklyn, on view through September 10, 2017. 

Transmitter Gallery, 1329 Willoughby Ave, Brooklyn, NY 11237


Maureen Drennan. Estacada, Oregon, 2013. Digital c-print; 24 x 30 inches. Courtesy of the artist. © Maureen Drennan.

Maureen Drennan. Estacada, Oregon, 2013. Digital c-print; 24 x 30 inches. Courtesy of the artist. © Maureen Drennan.

Paper Over (no. 2) in Newburgh, NY

Added on by Jacquelyn Gleisner.

We finished installing at the Ann Street Gallery yesterday evening. Here's a shot of the finished installation. 

Other artists in the show: Cree Bruins, Susan Greer Emerson, Gloria Klein, Jill Levine, Conny Goelz-Schmitt, Judy Thomas, and Shawn Watrous, among others

Saturday, August 19th, 6:30 - 8:30 p.m. 

"Interaction of Colour" at the Ann Street Gallery

Added on by Jacquelyn Gleisner.

I'm excited to include an installation in the "Interaction of Colour" show at the Ann Street Gallery in Newburgh, New York. 

A view of my studio in New Haven, CT 

A view of my studio in New Haven, CT 

in progress shot for the upcoming installation

in progress shot for the upcoming installation

The Ann Street Gallery
104 Ann Street
Newburgh, New York 12550

"Interaction of Colour" opens August 19th from 6:30 - 8:30 p.m.

The show is curated by Virginia Walsh.


Added on by Jacquelyn Gleisner.
[The] simple act of tying a knot is an adventure in unlimited space … an excursion that is limited only by the scope of our own imagery and the length of the rope maker’s coil.
— Clifford Ashley, The Ashley Book of Knots, published 1944 

For the past few weeks, I have been reading about different kinds of knots and making a series of gouache paintings on paper loosely tied to different types of knots. 

In a 2014 article in T Magazine, Jody Rosen discusses the importance of knots throughout history. Still nots are an undervalued craft today, often relegated to the storage rooms of major collections. More here

all works are 9 inches square, gouache on paper

all works are 9 inches square, gouache on paper

Knots have been on my mind for a long time, and they've surfaced in various forms in prior drawings and paintings. Since ancient times, knots were an essential form of technology for seafarers, among others. Moreover, knots have served deeply symbolic purposes; they were used to keep records for the Incas, celebrate a birth or marriage in numerous cultures, and summon strong winds for the Laplanders, for example. They are practical, yet deeply mystical at the same time. 

Spookishness of our Existence

Added on by Jacquelyn Gleisner.

I've been catching up on some reading this summer. I hope to teach a course in the fall on Modern and contemporary art so I've been reading through Volume II of History of Modern Art (seventh edition) by H.H. Arnason and Elizabeth C. Mansfield. Last night I was fascinated with the Surrealist Jean Arp's thoughts about tearing up his own works to make new collages. His ideas are eerily timely. 

I began to tear my papers instead of curving them neatly with scissors. I tore up drawings and carelessly smeared paste over and under them. If the ink dissolved and ran, I was delighted... I had accepted the transience, the dribbling away, the brevity, the impermanence, the fading, the withering, the spookishness of our existence... These torn papers, these papiers déchirés brought me closer to a faith other than earthly.
— Jean Arp
Jean Arp (1886-1966), Constellation According to the Laws of Chance c. 1930 From the Tate Collection

Jean Arp (1886-1966), Constellation According to the Laws of Chance c. 1930

From the Tate Collection

Monadnock Ledger-Transcript

Added on by Jacquelyn Gleisner.

In today's Monadnock Ledger-Transcript you can read more about my current show at the Sharon Arts Center in Peterborough, New Hampshire. 

"Making her Point" by Ben Conant

Everything old is new again, and nothing is permanent. Artist Jacquelyn Gleisner’s new exhibit at the Sharon Arts Gallery in Peterborough makes important statements about the fleeting nature of art and the importance of not letting things go to waste. Plus, it gets student artwork into a fine art gallery — in a manner of speaking, anyway.

Read more at the link below.

Staff photo by Ben Conant

Staff photo by Ben Conant

More pictures from the Sharon Arts Center

Added on by Jacquelyn Gleisner.

The Folds of the Cloak

The Folds of the Cloak, the title of my current installation at the Sharon Arts Center, references the last line of the poem “Of the Surface of Things” by Wallace Stevens. I read this poem aloud to my students on the first day of classes last fall, and throughout the year I collected their discarded drawings and paintings to re-use. Viewers can see glimpses of color wheels and other exercises repurposed into pyramid forms.

The title also alludes to paper and textiles, two important materials for my practice as an artist. Paper, an ecological and malleable form, represents flexibility and durability. Textiles are another important source for me, and I regularly reference patterns as well as the cultural importance of fabric, embroidery, and other handicrafts. All the paper and cardboard used in this installation are found or recycled from my previous works or former students, creating a textural map of color, patterns, and time.

Sharon Arts Center Gallery | NHIA

30 Grove Street, Peterborough, NH 03458

Reception August 18, 5 - 8pm

Through September 2017

Hours: Wednesday-Saturday 11am - 6pm; Sunday 11am - 4pm

Monster Drawing Rally | Artspace 30th Reunion

Added on by Jacquelyn Gleisner.

Join me this Friday for the Monster Drawing Rally!

Over the course of the night, artists at all stages of their careers take shifts to draw for an hour in front a live audience, bringing their private studio practices to the public. As spectators spy on the creative process, sketches morph into full-fledged artworks. Artists will then donate works to be bought the night of the event for $50 each, all proceeds will go to support programming at the Ely Center of Contemporary Art and Artspace New Haven. We will also be having a bourbon tasting from Litchfield Distillery with Connecticut-made varieties including: Straight Bourbon, Double Barrel Bourbon, Vanilla Bourbon and Coffee Bourbon (donation $6 for a half flight or $12 for a full flight suggested). Food will be available for purchase by Farm Belly. Throughout the night Dave Coon will DJ tunes to set the mood. All art lovers, supporters, and enthusiast are welcomed to this free event.

Participating Artists:
Sarah Afrogola, Michael Angelis, Caryn Azoff, Cat Balco, Binwanka, Alexis Brown, Anna Tu Bu Lei, Leslie Carmin, Jessica Cuni, Johannes DeYoung, Dionamic, Mary Dwyer, Michael Edmundson, Danielle Eugene, Roxanne Faber Savage, Zeph Farmby, Joan Fitzsimmons, Julie Frankel, Laura Gardner, Jacquelyn Gleisner, Stephen Grossman, Larissa Hall, Clymenza Hawkins, Lisa Hesselgrave, Iyaba Ibo Mandingo, Peter Konsterlie, David Livingston, Cayla Lockwood, Eric March, Marry Ann McCarthy, Alexis Musinski, Jason Noushin, John O’Donnell, Leila Orienter, Joesph Padilla, Rashmi, Chen Reichert, Samuel Rowlett, Jaime Ursic, Michael Van Winkle, Amanda Walker, Christa Whitten, Jemma Williams Nussbaum, Amie Ziner

Friday, Jun 23, 2017 from 7:00 PM to 9:30 PM

Location: Ely House Center for Contemporary Art, 51 Trumbull Street, New Haven, CT

Installation at the Sharon Arts Center

Added on by Jacquelyn Gleisner.

Come by 30 Grove Street in downtown Peterborough to see my installation in the front window of the Sharon Arts Center. All these forms were made using discarded paintings and drawings from former students and old works of mine on recycled cardboard. Join me for the reception on August 18th! More pictures soon... 

Also be sure to check it out at night! 

FSU Sketchbook Project

Added on by Jacquelyn Gleisner.

As part of my show Ouroboros at the Mazmanian Gallery, I left a blank sketchbook in the gallery and asked visitors to trace their hands on the empty pages. Here are the first six spreads of the book with hands by: (-1) Inessa J. Burnell, (1) Eric Davis, (2) Alexandria Keare, (3) Trinity Infantino, (4) Hannah Ferrante, (5) Julia Wan, (6) Heather Welsh, (7) Susan Scopetski, (8) Sadie Harmon, (9) Carissa Valeri, and (10) Roy S. "Suh Dude" 

Leonardo in Bloom

Added on by Jacquelyn Gleisner.

The 23rd Leonardo Challenge

The theme for the The Eli Whitney Museum's annual fundraiser is "Leonardo in Bloom." Artists are challenged to create a work of art inspired by the fullest expression of a flower, the bloom, and the quintessential "Renaissance man," Leonardo da Vinci.

Leonardo da Vinci

In his notebooks and sketchbooks, the Italian artist and scientist, Leonardo da Vinci (1452-1519), explored botany, geology, geography, cartography, zoology, engineering, anatomy, as well as countless other topics. He adamantly believed that his scientific investigations helped him become a better artist. Indeed many of his scientific illustrations are appreciated as works of art. The artist also believed that reality was fathomable only through what could be observed through the eyes—the most vital organ according to Leonardo.

Lion's Tooth

Below are a few images of my submission for the event, a freestanding sculpture made from paper, glue, turf, glitter, and sand. The shape of the sculpture recalls both an explosion and a geometric interpretation of a dandelion flower. The title, Lion's Tooth, comes from the French name for this common weed, dent de lion.

Click on the image above to see detail shots. 

"A Living Art" on Arteidolia

Added on by Jacquelyn Gleisner.

"The title 'realist' has been imposed upon me… Titles have never given a just idea of things; were it otherwise, the work would be superfluous… I have studied the art of the moderns, avoiding any preconceived system and without prejudice. I have no more wanted to imitate the former than to copy the latter; nor have I thought of achieving the idle aim of “art for art’s sake.” No! I have simply wanted to draw from a thorough knowledge of tradition the reasoned and free sense of my own individuality… To be able to translate the customs, ideas, and appearances of my time as I see them—in a word, to create a living art—this has been my aim."  - Gustave Courbet, 1855

The First Artist's Manifesto

I became interested in Courbet when I started searching for examples of writings by artists last fall. The quote above is from a statement that the artist wrote after two of his paintings were rejected from the Salon in 1855. Art historians have named this piece of provocative writing the first artist's manifesto, a style of straightforward writing often used by artists to codify their ideas to their critics. 

Read more about the French Realist painter Gustave Courbet and his forceful writing in my short essay on Arteidolia.

Gustave Courbet, Self-Portrait, 1844-45. 

Gustave Courbet, Self-Portrait, 1844-45. 

Crown Street Window Installation at Artspace

Added on by Jacquelyn Gleisner.

I have an installation at the Crown Street windows at Artspace this month. Check out the windows from now until April 30, 2017. The reception for these windows, as well as the current exhibition, Laughing Skulls, will take place this Friday. The installation will also be up during the Annual Gala and Silent Auction on April 29.

Paris, Texas

Crown Street Window Installation

Work in progress shot 

Work in progress shot 

A view of the installation from outside with the reflections of the city

A view of the installation from outside with the reflections of the city

Nasty Women New Haven Exhibition

Added on by Jacquelyn Gleisner.

Scroll I installed outside for the Nasty Women Show, New Haven

In honor of International Women's Day and the opening for the Nasty Women Show, I installed a 30-ft. painting, Scroll I, on the facade of the Institute Library. Over the past few weeks, this painting on paper has experienced rain, snow, and significant wind, but I'm happy to report that the painting is still standing with little damage. The paper has started to buckle in places, but overall, the vibrant colors have barely faded or bled. 

Nasty Women Exhibition

Organized by Sarah Fritchey, Valerie Garlick, and Lucy McClure, the Nasty Women Show at the Institute Library is part of a movement of similar exhibitions throughout the country, following the lead of the first show at the Knockdown Center in Queens in January. 

One of the curators for the Nasty Women Show asked participants what it means to be nasty. I think that being vulnerable to the elements is one way to show perseverance. 

The Institute Library is located at 847 Chapel Street in downtown New Haven. The exhibition continues through April 9, 2017. 

The Institute Library is located at 847 Chapel Street in downtown New Haven. The exhibition continues through April 9, 2017. 

Meriem Bennani's Holiday Headscarf

Added on by Jacquelyn Gleisner.

Meriem Bennani’s new artwork, Your Year by Fardaous Funjab, features the most recent hijab in the artist’s fictional line of high fashion headscarves. This thirty-second video, part of the Public Art Fund’s Commercial Break series, features an ever-evolving hijab that can be worn throughout the year. One head covering commemorates various Islamic holidays as well as secular events. As the seasons change, the hijab morphs on the Barclays Center’s “Oculus” screen into eight distinct versions, ranging from generic autumnal attire to a headscarf for Ramadan. The functional fashion of the rotating hijab offers a jocular take on the media’s portrayal of the Muslim head covering.

Read the full text on Art21 here

Meriem Bennani: Your Year by Fardaous Funjab will continue at the Barclays Center, playing on the “Oculus” screen (620 Atlantic Ave. at Flatbush Ave.) as part of the Public Art Fund’s Commercial Break series. The video screens once an hour on Saturdays through March 5.

Meriem Bennani. Promotional still from the video Your Year, 2017. Courtesy Meriem Bennani. © Meriem Bennani.

Meriem Bennani. Promotional still from the video Your Year, 2017. Courtesy Meriem Bennani. © Meriem Bennani.